The comedian Antonio Albanian Cetto in the shoes of the matter, vulgar and corrupt political
MARIA CORBA ROME
"The screenplay was written two years ago - explained Albanian -. And then we saw the reality that we were behind. People do not be offended more than anything, it's like anesthetized and then you better get her to think through the comedy. Representing a world of losers, so why leave the characters at the end, we hope that people wake up laughing. " From the TV (with Gialappa's and Fazio), the character of Cetto arrives on the big screen produced by Fandango. "The film is a wonderful challenge for me: go with the language comics in the news today, reinventing and abstracting it to retell, hopefully, even better - says the director, Giulio Manfredonia -. Of course now Cetto, says Albanian, compared with its similar "real" has almost become a moderate. "Also starring Sergio Rubini who plays Gerry, the coach of the candidate, one who is putting up the prices of electoral Cetto. "It gives advice only about the look, of course, because whereas before there were only these characters in the show, now that politics has become show crowd the places of power. Gerry is a Southern sorry, Puglia pretending to be North. But - says the director - in the end we see that the policy and they were also in the North. Only more hypocritical. " In short, a comedy, except that it seems to read a newspaper. "Italy with its ruling class is the Bengodi of comedians, who can not stand behind what is happening," says Rubin.
Among Roman statues, baroque tapestries and family portraits on the set is estimated that Carmen Lorenza Indovina, the wife of Cetto, look over very Eighties, spotted, golden, eye-catching. "I thought to be excessive, a caricature. But going around I have seen women who dress like Carmen, full of animal prints and tattoos, all with this blonde Frezza on the fringe. I also saw one that had a tattoo of the brand Bikes on the arm. " Nothing
moralism, though. Albanian is at pains to specify: "The comic eliminates any rhetoric. Bring the cinema Whatever Cetto The idea was exciting and somewhat reckless. In recent years Cetto was for me, and for the writer Piero Guerrera, a special magnifying glass that allowed us to focus on what was happening in our country. One way to tell what we like and not to warn about what could happen. Concept has given us the great privilege of ridicule and behavior patterns, which for many will be cunning and successful, but we are just ignorant and pathetic. The desire is therefore to tell with this film a bulky piece of our reality with comedy. " Hope? "What Cetto The matter eventually become just a speck, not a true reflection of our times." What next? A new character that might be asked for now is confined to a joke: "I would be interested to talk about the relationship with religion, those people who pray, pray, but never find the right position." Each reference is random, of course.![]()
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